weezo
I suggest that you check the PEN Award winner E.P.Jones
at Amistad Press. Almost everybody else you have met here at EfE web-site were originally readers of Jones' book at the nytimes.com Book Forums (mostly there to support the books industry, as a back up to their own Literary pages in the Sunday edition of The New York Times; Book Review).
By ironic happenstance, the moderator at the nytimes.com Book Forums, happened to do away with the African-American Literature forum(saying almost prophetically but, for him it was a matter of convenience,that "Anyway it will just be categorically
Literature, inevitably". Or, something of the kind....

? That would depend on which readers/posters bothered to suggest and read books by African-American writers. This was still several years in advance of the Obama-Biden campaign).
It was but a matter of weeks before banner headlines in The New York Times announced that American Novelists were voting on the Best New Novelist in the last 25 years; and a jury of her white peers elected Toni Morrison(who had of course already won the Nobel Prize in Literature in 1993, just before she arrived to teach at Princeton campus. I moved out to Hopewell from Lawrenceville Prep School neighborhood, to cogitate some more on Lindbergh where there was a direct view from my apartment to his former air-strip above the lumber yard (that kidnapping case should have been relatively easy to solve, if Schwartzkopf* had really thought about it)
*Norman Schwartzkopf grew up in a mansion just opposite the Lawrenceville campus,during or after his father was the State Police official directing the Lindbergh case. As a friend in the nytimes.com Western European forum, who had been raised in East Windsor, said to me--"I can just picture little Norman, with a cooking pot on his head and bed sheet off the clotheline for a cape, playing Crusader behind the hedges across from the original Colonial buildings on the Lincoln Hwy."
The commentary that I remember best from the hub-bub that took place like a free for all, in the postings about the article was a fellow poster at EfE who contended she had never met any Negroes who spoke like those for which Morrison had written the dialogue. I may have got lost in a plot line or two when I read: Paradise but in the next fifteen years I greatly appreciated the rhythms of the speech patterns the writer had employed after her historical research (I still think that her novel, about the women abiding in the old hotel at a North Carolina former vacation resort for the Black middle-class: LOVE ought to be made into a movie). The writer, herself, is now touring Europe with the production of her drama: Desdemona.