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[Oilcandide]

Now we like the slap and the dash. We tend to see those independent-minded brushstrokes as evidence not of diminished attention, but of attention homing in on a new target - a fresh fascination with the transitory fall of light, at the expense, perhaps, of the stable object it falls on. Like a shape seen in the distance, sketchiness has the power to suggest multiple realities at once. Monet s dark-gray squiggle in the Le Havre water might be a rock or a boat; certainly it is a squiggle of paint. Emphasizing the physicality of the image - the gloppiness of the paint, the visible canvas below - calls attention to the instability of the illusion. Step backwards and its a harbor; step forward and its bits of colorful dried goo.   

https://www.theatlantic.com/magazine/archive/2024/12/national-gallery-exhibit-paris-1874-impressionist-movement/680401/