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Author Topic: Theater  (Read 4238 times)
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« Reply #30 on: July 19, 2007, 01:10:55 AM »

Theater Review | 'Un Hombre que se Ahoga': Chekhov Compacted, in Spanish


This Argentine adaptation of Chekhov?s ?Three Sisters? is arranged as efficiently as a businessman?s valise.


http://theater2.nytimes.com/2007/07/19/theater/reviews/19homb.html?ex=1342497600&en=3ceebde9f984b297&ei=5088&partner=rssnyt&emc=rss
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« Reply #31 on: July 19, 2007, 07:07:38 PM »

How They Did It. The Show, That Is.


?My First Time? is a new Off Broadway play in which four actors recount stories about people?s first sexual experiences.


http://www.nytimes.com/2007/07/20/theater/20firs.html?ex=1342584000&en=4ef27bc3c00e869f&ei=5088&partner=rssnyt&emc=rss
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« Reply #32 on: July 21, 2007, 03:07:23 PM »

Summer Rituals | Shakespeare in the Suburbs: Well West of Broadway, the Stage Is Their World


Central New Jersey is swarming with community theaters, and summer stocks offer lively showcases for the region?s amateur actors.


http://www.nytimes.com/2007/07/21/nyregion/21summer.html?ex=1342670400&en=c2a5265acd1db696&ei=5088&partner=rssnyt&emc=rss
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« Reply #33 on: July 23, 2007, 01:09:58 AM »

Theater Review | 'Monsters and Prodigies': Those 18th-Century Castrati Got All the Money and, Yes, Girls


?Monsters and Prodigies? by the Mexican company Teatro de Ciertos Habitantes gives a zany account of the century of music ruled by castrati.


http://www.nytimes.com/2007/07/23/theater/reviews/23cast.html?ex=1342843200&en=feda1b716372df73&ei=5088&partner=rssnyt&emc=rss
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« Reply #34 on: July 23, 2007, 06:07:14 PM »

When Trust Is Lost, Only Disconnect


A negative sensibility in London is generating a crackling positive charge in drama.


http://www.nytimes.com/2007/07/24/theater/24bran.html?ex=1342929600&en=6c4297fa2eada709&ei=5088&partner=rssnyt&emc=rss
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« Reply #35 on: July 25, 2007, 06:07:41 PM »

Stagehands Bracing for Broadway Showdown


Starting next week members of the union that represents the carpenters, electricians, props workers and sound technicians on Broadway will be reporting to work without a contract.


http://www.nytimes.com/2007/07/26/theater/26hand.html?ex=1343102400&en=62c333600806cb2f&ei=5088&partner=rssnyt&emc=rss
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« Reply #36 on: July 26, 2007, 01:06:47 PM »

That could be rather dangerous for the actors.   (I'd better read up on emoticons)

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« Reply #37 on: July 26, 2007, 06:08:52 PM »

Encores! Season to Feature Some Well-Known Names


Christine Ebersole, Beth Leavel and Rosie O?Donnell will all star in productions during City Center?s 15th Encores! season.


http://www.nytimes.com/2007/07/27/theater/27enco.html?ex=1343188800&en=9415490bd6d1f165&ei=5088&partner=rssnyt&emc=rss
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« Reply #38 on: July 26, 2007, 08:09:33 PM »

Like Brigadoon, the Music Had Vanished


The story of the revival of ?The Day Before Spring,? a lesser-known Lerner and Loewe musical that played on Broadway in 1945, began with a simple conversation over lunch.


http://www.nytimes.com/2007/07/27/theater/27loew.html?ex=1343188800&en=395907fe2e35e4cf&ei=5088&partner=rssnyt&emc=rss
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« Reply #39 on: July 28, 2007, 01:11:24 AM »

Theater Review | 'Divinas Palabras': Unrelenting Bleakness and Outrage, With No Mitigating Circumstances


Ram?n del Valle-Incl?n's grotesque parody ?Divinas Palabras? is being given a stark staging by the Centro Dram?tico Nacional of Madrid at the Lincoln Center Festival.


http://www.nytimes.com/2007/07/28/theater/reviews/28divi.html?ex=1343275200&en=19125460a6c6d18a&ei=5088&partner=rssnyt&emc=rss
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« Reply #40 on: July 29, 2007, 06:07:22 PM »

Rendezvous at Rydell High, Off 42nd Street


Max Crumm and Laura Osnes were reality-show winners. Now their reality is ?Grease? on Broadway.


http://www.nytimes.com/2007/07/29/theater/29mcge.html?ex=1343361600&en=b9fd94cd67ab4d4d&ei=5088&partner=rssnyt&emc=rss
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« Reply #41 on: July 31, 2007, 03:08:01 PM »

Michel Serrault, Star of ?La Cage aux Folles,? Dies at 79


Michel Serrault was a French film star known internationally for his role as the temperamental drag queen Zaza in the original film version of ?La Cage aux Folles.?


http://www.nytimes.com/2007/07/31/movies/31serrault.html?ex=1343534400&en=e83b9181f37b80dd&ei=5088&partner=rssnyt&emc=rss
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« Reply #42 on: July 31, 2007, 08:07:43 PM »

The Theme Is Ancient, but the Subject Is Modern


?Masked,? a play written by an Israeli, Ilan Hatsor, about three Palestinian brothers, feels remarkably of the moment.


http://www.nytimes.com/2007/08/01/theater/01mask.html?ex=1343620800&en=836d7dcecc9b0587&ei=5088&partner=rssnyt&emc=rss
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« Reply #43 on: August 01, 2007, 07:08:38 PM »

Titters, Snickers and Guffaws, With a British Accent


Examples of tales told ticklingly are in unusual abundance on London stages this summer.


http://www.nytimes.com/2007/08/02/theater/02bran.html?ex=1343707200&en=76fb709d37e6e04c&ei=5088&partner=rssnyt&emc=rss
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« Reply #44 on: August 03, 2007, 02:12:53 AM »

Theater Review | 'Masked': A Family Torn Apart by Deception, Betrayal and War


In this powerful play by Ilan Hatsor, three Palestinian brothers are locked in a life-and-death struggle over issues of deception and betrayal.


http://theater2.nytimes.com/2007/08/03/theater/reviews/03mask.html?ex=1343793600&en=ef462a90ecf9d16f&ei=5088&partner=rssnyt&emc=rss
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